Flamenco 2All of us are born with an urge to make marks, to sing, dance and generally express ourselves individually. If you ask any small child if they can draw or paint they will say ‘yes’ and usually show you – so what happens? Why do we lose that confidence in our ability? It seems to be an inborn urge to make marks and draw what we see around us. Perhaps that helps us to connect to our environment and make sense of it….. Drawing as a form of communication and connection goes right back to our human roots. Our self awareness, creativity and inventiveness has made us the most powerful animal on earth.

Flamenco 4Little children begin by scribbling (on everything!) until they – miraculously! – form a circle. Apparently young chimps love to scribble as well, and some even manage to make a circle too, but they do not take the symbol any further. Human children put dots and lines inside that circle – and suddenly it represents a face, usually Mummy’s, or the face of their primary carer. That face is the most important feature of their world and when it appears they know that they are safe and will be cared for. They draw that circular image over and over again, beginning to add other people in their world, and adding stick legs because the faces move, and stick arms and fingers because the faces do things with them.

Flamenco 5One of my favourite drawings created by one of my children when they were tiny was a drawing of us all as a family; I was the only one with fingers though. In her world it seemed that I was the only one that did anything!

Little children are sponges, and will happily copy other people’s images to complement their own, so they are shown how to draw a simple house, a tree, a bird. They copy each other’s images and symbols too, so they often look quite similar the world over. An exercise I give my students is to try and draw a simple landscape as they think they would have at the age of about five. The first thing we notice is how HAPPY it makes us feel! Then we see how similar they often are, and one thing that I love is that Maltese students will usually draw little houses with pointed roofs and chimneys…. there is no such thing in typical Maltese architecture! I wonder how children would draw if they were not shown anything at all?

Flamenco pastel 2We had a Spanish au pair girl when I was very small and she used to draw little Princesses for me. They all looked the same and I loved them. I wonder if that sparked my fascination with drawing the human figure?

Children’s drawings naturally develop to become more rounded and sophisticated, and to reflect what the child is most interested in; cars, boats, animals, etc. At some stage though, a dissatisfaction sets in as they try to draw more realistically and find that nobody can help them to do that. They might be able to draw one or two things reasonably well, but other subjects will just frustrate them. Some children find drawing and thinking creatively easier than others, but most find it really difficult and are easily put off by negative comments and accept the label of ‘unable to draw’. They fall back on childhood symbols such as stick men and cauliflower trees whenever they are asked to draw.

Flamenco pastel 3The reason behind most people’s frustration with not being able to draw realistically is usually the same one; it is because they have been attempting to learn to draw in a logical way, and drawing is not a logical process. It is a creative one, and involves learning to ‘see’ the world in a completely different way before we can draw it. It is the way that an artist sees, and is not taught in classes unless the teacher is not only able to see that way, but also able to explain and demonstrate it. We have to be able to draw exactly what is in front of our eyes, without processing it in any logical way.

Some children are able to naturally see this way already, but more of that next time…

Flamenco pastel 5

About Jeni Caruana

Jeni was born in England and studied at Uxbridge, Hull and Harrow Art Colleges before settling in Malta in 1977. She subsequently worked as a graphic designer and followed a post-Diploma course at Malta College of Art. Jeni has held regular solo exhibitions of her works and participated in numerous joint, group and collective exhibitions in Malta and abroad, representing Malta in UK, USA, Sardinia, Rome, Tunisia, Libya and Norway. Paintings now hang in many public and private collections. --- Works cover a wide variety of subjects and media, from landscapes to Prehistoric Temples, sand to ceramics, watercolour and acrylics to wooden sculptures. They are always based on good drawing and keen observation and always started on location or from live models. Intense study of the human figure has resulted in her ability to capture fleeting glimpses of people in motion. Visually expressing the emotional effects of music on the senses, her ‘musician’ paintings are a favourite subject. --- Jeni has been teaching drawing and watercolour techniques to adults since 1995. She regularly runs courses and workshops in drawing and watercolour for adult beginners and improvers, specialised courses in life drawing, watercolour techniques, weekend workshops and painting outings and also art for self-expression, meditation and relaxation. --- For more information please contact; Studio Address: - “Dar Il-Mistrieh”, - 15, Old Church Street, - Manikata - MLH 5202