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Patricia Newell-Dunkley

 

According to Aboriginal belief, all life as it is today – Human, Animal, Bird and Fish, is part of one vast unchanging network of relationships which can be traced to the Great Spirit ancestors of the Dreamtime.

The Dreamtime continues as the “Dreaming” in the spiritual lives of aboriginal people today. The events of the ancient era of creation are enacted in ceremonies and danced in mime form. Song chant incessantly to the accompaniment of the didgeridoo or clap sticks relates the story of events of those early times and brings to the power of the dreaming to bear of life today.

barramundi

BARRAMUNDI.

Long ago in the dreamtime, there were no fish, so the people lived on animals, roots and berries. They were all quite content. That is except for Boodi and Yalima: for they want to marry. But the tribe insisted that Yalima marry one of the old men, to look after him. Boodi and Yalima decided to run away, and so they did. Now, to go against the Elders of the tribe is breaking the law, and is punishable by death, so soon the men of the tribe began hunting them.barramundi4

They ran on and on, although they became very tired, they had to keep running. Eventually, they came to the edge of the land, where the water began and they knew that to survive, they would have to fight.barramundi2

With the angry tribe descending on them, they quickly gathered wood, and made as many spears as they could. But the tribesmen were too many, and soon the spears were all gone. Boodi turned to his beloved Yalima and said, “for us to be together forever, we must go into the water to live.” And so they did.

They are still there in the shape of the Barramundi hiding amongst the logs and reeds.

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Reproduced with permission from Didjshop.com

 

 

About Patricia Newell-Dunkley

I am an artist writer, born in Sussex, Shoreham-on-Sea and educated at Ealing Modern School in London. I studied amongst other subjects English Literature and Art which sowed the seeds for what would become a lifelong passion. It was not until 1970, after moving to Australia, that I began to satisfy my artistic desire when I first started Porcelain on-glaze painting using mineral oxides paint, a style which would become my forte. Within six months I had bought a kiln, and I embarked on an extensive series of courses over the following years in Grounding, Gold and Silver Gilding, Lustres, Raised Paste and Pen work. In 1980 I began to offer my art through a number of major Sydney outlets. Initially the Fine Art Department of the Myers City Store, followed by David Jones, Grace Brothers, The International Airport, Micawbers Antiques, Bourke’s Hilton Hotel, Roseville Gallery and Toowoon Bay Gallery. Over the years my painting styles have expanded to include Oil, Pastel, and Watercolours. I am a member of the Society of Authors and also a member of the Society of Women Writers and Journalists UK. My writing includes articles and poems published in This England, Evergreen, and The Radio ABC Pot Pourri of Poems, as well as short stories. “The Complete Guide to Painting and Decorating Porcelain,” “Wallis the Woman I Love,” a narrative poem, “Letters of a Travelling Lady,” and six romantic novels.